“The Body in Breast Cancer”
Call For Papers:
For a Special Issue of
Social Semiotics
THE BODY IN BREAST CANCER
Edited by Nadine Ehlers and
Shiloh Krupar
Social Semiotics invites submissions to a special issue
“The Body in
Breast Cancer” in order to mobilize new critical interventions
into
the materiality of breast cancer.
The body, at the level
of the breast, is the terrain on and through
which breast cancer registers.
This body, as understood through
poststructuralist theory, is always already
constructed and negotiated
in relation to technology. This body, then, is a
technologized body.
The experience of breast cancer at once compels
particular interfaces
of body and machine in detection, treatment, and
“recovery,” and the
necessity for corporeal reworking in relation to the
machine.
Stressing the material breast as a technologized terrain
necessitates
grappling with the myriad of troubled relations of/to the
breast, such
as the prosthetic breast, the absent breast, fear of the lost
breast,
refusal of the breast, the scrutinized fleshy breast. In order
to
enable such exploration, we solicit papers in the fields of science
and
technology studies, queer studies, cultural studies, performance
studies, and
disability studies that enter into dialogue with
scholarship on
(bio)technologies and/or the posthuman. Foregrounding
the technologized
materiality in breast cancer will yield new ways of
understanding
subjectivity and somatic resistance, crafting
corporeality, and practicing
critique/politics in order to extend
“livable lives.”
We are
especially interested in accounts of queer, non-white, crip,
male, classed
bodies, and other particularities of subjecthood, that
explore the practices
of the technologized body in breast cancer at
the level of machine and
science, and imagined through biotech, the
cyborg, cybernetics, prostheses,
biometrics, and so forth.
We welcome articles that investigate:
•
Excavations of the breast that foreground the policing,
containment,
mutilation, resignification, and crafting of the breast
•
Bodies in breast cancer surveillance
• Bodies and breast reconstruction
•
Bodies in treatment (radiation, the chemotherapy ward, detection,
ultrasound,
MRI, biopsy, mammogram, the breast clinic)
• Bodies and traces of military
technologies; marks of cancer treatment
• Body-erotics/sexuality and breast
cancer
• Visual economies of the breast and legalities of breastlessness
•
The body and prognosis in breast cancer
• Altered notions of bodily capacity
in relation to breast cancer
• Breasted aesthetics as
self-crafting/disciplining
• Renegotiations of subjectivity at the interface
with machines
• Unstable assemblages between flesh and machine in detection,
risk
assessment, prognosis
• Cancer and matter
• Regeneration and
illness
We invite traditional essays as well as a variety of
alternative
forms: short performative pieces, short critical etymologies,
visual
essays, case studies. We are hoping to put together a range
of
different submissions for this issue in order to encourage
unorthodox
approaches to breast cancer.
If submitting a traditional
paper, the word count should be no more
than 8000, including notes and
bibliography. Alternative formats
should be between 1 and 15 pages (maximum).
For all submissions,
please note that one image is equivalent to 250 words
(half page).
The journal citation style is Chicago Author-Date. For
style
guidelines and further information about figures and
formatting,
please see the journal website instructions for authors:
http://www.tandf.co.uk/journals/authors/csosauth.asp
Articles
should be prepared for anonymous review. Please provide a
separate short
author biography and an abstract of no more than 150
words.
The
deadline for submissions is 1 October 2010, with a final
publication date
scheduled for January 2012. Papers should be
submitted by electronic
attachment as a Word document (.doc or .txt)
or pdf. The subject line of your
email should state the special issue
title “The Body in Breast Cancer” and be
addressed to:
specialissuebreast@gmail.com